Jun 10 2009

This I Believe

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This I Believe

 

 

It had been a rough day – nothing seemed to be going right. I had backed into a newspaper stand, done poorly on a test; I forgot a textbook and had to race home, which resulted in being a few minutes late to class. I dreaded going to work and dealing with rambunctious children. I went to work and attempted to put together a million piece Legos set. The youngest, who is 4, asked what was wrong. I said nothing. He told me I looked sad, and I said it had just been a long day. He then came over and gave me a big hug and simply said, “I love you.” My day greatly improved, and the day ended on a much happier note then it began.  I believe that children can bring joy.

            Children’s innocence and wonderment at the world is refreshing to see, and I can’t help but smile when talking or thinking about them. Children take pleasure in the tiniest of things: they have this look of sheer excitement when they unwrap a present and uncover a plain cardboard box. When they open to see that there’s something inside, their excitement, if possible, grows. The children I work with have the widest grins on their faces when we go for a walk and look for bugs. They’ll sit for hours and stare at an ant hill, enraptured with the mere presence of such itty bitty tiny little creatures. Children take great pleasure in reaching out and making others feel better. Their compassionate hearts reach out and try to comfort those they see, and they are so loving and accepting that they make friends within minutes. They’re accepting of people, flaws and all, and love unconditionally. They see the best in everything without even trying.

I love the bright, shining eyes that stare in awe at a dandelion for hours, and little hands that clap in utter delight about a tiny little ladybug. I love the infectious giggles about a fuzzy green caterpillar and the beaming, radiant smile about the simple pleasures in life all equate.  Children have this naturally optimistic and happy disposition, and they unknowingly share it by just being themselves. The boys I watch say that I laugh a lot, and ask me why. I tell them it’s because they’re just being themselves. Then they give me these impish little smiles,  and the cycle of joy continues.

            Whenever I’m having a bad day, or am feeling a little sad, I think of children and all of their amazing qualities, and my day turns much, much brighter.

 

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Jun 07 2009

The Argument Against TV

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I found this in a file on my Jump Drive when I was cleaning it up, and figured I would post it! :)

  1. Trubey assumes that his audience owns a TV and prefers that entertainment to love entertainment. He also assumes that people don’t recognize the extent that television controls our lives.

 

 

  1. Trubey is writing the article for TV Turnoff Week, and the reader’s relationship with the subject is characterized by the fact that the information and opinion is being shared at a time when there is a large focus on the subject.

 

  1. The effect of his question allows the reader to reflect and analyze their own personal lives and understand if they really understand the extent that television can control and manipulate a society. I do agree that people are aware of what they are doing whenthey are watching TV because of all the information that is out there explaining the negative effects of television. I agree that there are better forms of entertainment, but I think people don’t put out the effort to indulge in that because there is an addiction to television.

 

  1. By classifying his argument, Trubey is appealing to a wider variety of an audience and balancing his argument because he doesn’t come across as extremely one – sided and not understanding of other possible views on this.

 

  1. Yes, it diminishes his credibility because there is no proof behind his facts. People who would want to check his sources or further the research because they would be unable to, and it’s unlikely that they would use his argument because there is nothing but common – knowledge to support it; and that’s not enough.

 

  1. The lists do strengthen his argument because they put information in a clear format, and that supports his argument. But they would solidify his argument even more if properly cited.

 

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Jun 05 2009

The Great Gatsby Journal 9

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American Dream AND Character Development  

“And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes-a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” (189)

 

This is Fitzgerald’s opinion of the American dream; that it is something that every man desires, yet doesn’t completely understand. People see new oppurtunities as ways to advance them in life, and oftentimes overlook how the journey through the new experiences will ultimately shape their outcome.

 

“And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.” (189)

As well, Nick develops and sees his view of the American Dream, and realizes that people, namley Gatsby, become so caught up in their pursuit they often miss what is right in front of them. Nick as changed and matured through his experiences in New York, and views the world diferently now.

Color Green is the color that wraps everything up, as Gatsby’s view is everything is greener on the other side, and that’s what started the chain of events that lead to his death. Green is a vibrant color that promises new beginning, and it does, but green can fade in the distance, like the light at the end of the dock that kept Gatsby going, and become nothing more than an impression or memory.

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Jun 05 2009

The Great Gatsby 8

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American Dream “…What was the use of doing great things if I could have a better time telling her what I was going to do?’” (157)

 

Fitzgerald makes the point here that at the end of the day, even if you’ve obtained what you thought you wanted, if there is no one to share it with, it’s really wasted a worthless. That’s a theme common throughout the whole novel. As clichéd as it sounds, no matter the opinion of what the American Dream is, it isn’t as sweet or wonderful unless you have someone who cares about it the same way you do, and supports you in it.

 

Character Development  

“I don’t think she ever loved him.” Gatsby turned around from a window and looked at me challengingly. “You must remember, old sport, she was very excited this afternoon. He told her those things in a way that frightened her-that made it look as if I was some kind of cheap sharper. And the result was she hardly knew what she was saying.”

He sat down gloomily.

” “Of course she might have loved him just for a minute, when they were first married-and loved me more even then, do you see?”

Suddenly he came out with a curious remark.

“In any case,” he said, “it was just personal.”

What could you make of that, except to suspect some intensity in his conception of the affair that couldn’t be measured?” (159)

 

 

Fitzgerald mentions that Gatsby might have perhaps recognized his mistakes, earlier in the chapter, but this just shows that Gatsby was so consumed with everything that he just can’t let it go, and that his entire life has been permanently altered by this, and doesn’t truly grasp the reality of the situation, or if he does, blatantly chooses to ignore it. It speaks for Gatsby’s character that he is incapable of letting go of the past and moving forward, no matter how clear it is made too him that he can never relive what once was.

Color  

The yellow car is of interest to me, as it is eventually Gatsby’s downfall because Wilson seeks him out to kill him after recognizing it. Yellow is a murky color, especially pale yellow. Gatsby’s car is yellow; the car that he and Daisy were in when their fate was sealed. It has been previously mentioned that the car they drove when five years prior was white. Metaphorically speaking: their relationship was white at first; pure young and innocent. However, little things happened to dilute the whiteness on their relationship to a pale yellow; still pretty, but not what it once was.

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Jun 05 2009

The Great Gatsby 7

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American Dream ” “Big chance,” Wilson smiled faintly. “No, but I could make some money on the other.”

“What do you want money for, all of a sudden?”

“I’ve been here too long. I want to get away. My wife and I want to go West.”

“Your wife does,” exclaimed Tom, startled.

“She’s been talking about it for ten years.” He rested for a moment against the pump, shading his eyes. “And now she’s going whether she wants to or not. I’m going to get her away.” ” (130)

Fitzgerald is commenting on the basic principle that makes up the typical American Dream – money. It’s also commenting on how one’s view of the American Dream can be drastically altered. Tom had what he wanted – a pretty wife, the surface image, and then a mistress on the side. Yet all that is being yanked out from under him. Fitzgerald is commenting on the subjecctivity and continual changes that accompany the American Dream.

Character Development “I’d be damned if I’d go in; I’d had enough of all of them for one day, and suddenly that included Jordan too. She must have seen something of this in my expression, for she turned abruptly away and ran up the porch steps into the house. I sat down for a few minutes with my head in my hands, until I heard the phone taken up inside and the butler’s voice calling a taxi. Then I walked slowly down the drive away from the house, intending to wait by the gate.” (150)

Nick is discovereing that he doesn’t like the lifestyle that his friends are living. He doesn’t like the lies and callousness and flippancy that they have, and the innate selfishness. He grew numb to it, but after this wake up call, he  realizes that he is not impressed with it and wants to escaoe it.

 

Color Green, again, is a prominent color. Fitzgerald mentions the “hot green” (127) seats of Gatsby’s car in the beginning of the chapter, then at the end of the chapter, the car is described as a “light green”. Green was a color that pertained to Gatsby and Daisy’s relationship, and it was vibrant and beautiful. But is soon grew uncomfortable, then their connection, their relationship, began to fade, as illustrated by the changing of the color green.

 

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Jun 05 2009

The Great Gatsby 6

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American Dream “So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

Through all he said, even through his appalling sentimentality, I was reminded of something-an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.” (116-117)

 

Gatsby’s dream is achieved here – he has Daisy. Hoewever one word that Fitzgerald uses is interesting, incarnation. It shows Fitzgerald views that obtaining the final package of the American ideal leads to imprionment; something that can’t be reversed or if it is, leaves lasting scars.

 

Character Development “‘Can’t repeat the past?” he cried incredulously. “Why of course you can!’” (116)

Fitzgerald sums up just how disillusioned Gatsby is in this chapter. At first he seems a little strange, but not totally off his rocker, and seems to have some sense of reality. Alas, he does not, and the readers discover that Gatsby is so consumed with having what he wants and desires, he has lost sight of reality.

Color Grey is a color that Fitzgerald uses to illustrate what has happened to Gatsby’s life, or at least what the turning point of it was. The portrait of the man, Dan Cody, that ultimately shaped Gatsby into the shady man he was, is done in grey, and that it was Nick first recalls about him. He associates Cody with grey, which shows the readers that his influence shaped Gatsby into what he is now.  (106)

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Jun 05 2009

The Great Gatsby Journal 5

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American Dream “Daisy put her arm through his abruptly, but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.”

The whole chapter, really, is centered on Fitzgerald’s opinion and argument of the American Dream. It sets up the fact that Gatsby worked so hard to achieve everything he thought was success to win back Daisy’s affection. Yet when he has her back, it’s not all he wanted. The track to the American Dream was more than actually obtaining it. The tone is one of sort of a let – down; there is no flare huge I’ve done it. It’s extremely anti – climatic.

Character Development Fitzgerald really develops Gatsby in this chapter, as he obtains the object of his obsession for the past 5 years.  Though thought to be confident of himself because of wealth and power, Fitzgerald shows another side of Gatsby; a nervous and ‘human side’. On pages 94-94 when Nick is attempting to discuss what exactly Gatsby does for business, Gatsby is evasive and vague in his replies. As Nick and Daisy tour his house, Gatsby becomes like a child in his eagerness to explain and show-off his fine things. But when Daisy starts to show some affection, Gatsby is so caught up with the fact that she’s actually there, he overlooks her.

“As I went over to say good-by I saw that the expression of bewilderment had come back into Gatsby’s face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon whe Daisy tumbled short of his dreams-not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.” (101)

Fitzgerald reveals just how deep Gatsby’s fascination with Daisy goes in this chapter.

 

  

Color “‘If it wasn’t for the mist we could see your home across the bay,’ said Gatsby. “You always have a green light that burns all night at the end of your dock.”

Daisy put her arm through his abruptly, but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.”

Green is the color that has the most significance in this chapter.  The phrase “the grass is greener on the other side” is applicable to Gatsby. He spends 5 years of his life striving to reach that green light, yet when he reaches it, it isn’t all that he thought it would be. As well, there is foreshadowing with this, as Fitzgerald makes the point that oftentimes what we perceive to want isn’t as magnificent as we want it to be, and the extremes that we go to, to obtain it, we loose something valuable.

 

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Jun 05 2009

The Great Gatsby Journal 4

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American Dream The first several pages of this chapter list prominent and important figures that populate Gatsby’s party. These figures play into what part of Gatsby’s perception of the American Dream is – social standing. People may not know who you truly are, but if they are willing to come and flit about your place, and revere your name with sort of a quiet mysteriousness and interest, you have obtained something desirable. People know of you and that, according to Gatsby, is partially achieving his American Dream.
Character Development “I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily, and say: “Where’s Tom gone?” and wear the most abstracted expression until she saw him coming in the door. She used to sit on the sand with his head in her lap by the hour, rubbing her fingers over his eyes and looking at him with unfathomable delight. It was touching to see them together-it made you laugh in a hushed, fascinated way. That was in August. A week after I left Santa Barbara Tom ran into a wagon on the Ventura road one night, and ripped a front wheel off his car. The girl who was with him got into the papers, too, because her arm was broken-she was one of the chambermaids in the Santa Barbara Hotel.” (81-82)

 

Fitzgerald paints what happens to Daisy, young and in love, heartbroken, then meets Tom and thinks she’s found her happily ever after. But the happiness doesn’t last long as she realizes that her husband is unfaitful. It allows the reader to sympathize with Daisy and she that she is more complex than a flighty trophy wife. She’s coping and surviving the best she knows how.

 

Color  When traveling to New York, white is used to describe quite a few details. The card that waves Gatsby’s speeding ticket; the river, and in skin color terms, the chauffer of a vehicle is white to three African Americans. White can symbolize purity and innocence, but it can also mark change and power, as it does in this chapter.  

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Jun 05 2009

The Great Gatsby Journal 3

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American Dream The intent for the argument of the American Dream is made known through Gatsby in this chapter.

 

“A wafer of a moon was shining over Gatsby’s house, making the night fine as before, and surviving the laughter and the sound of his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand up in a formal gesture of farewell.” (60)

 

Gatsby’s house stands for what his dream is – wealth, power, social standing. His elaborate parties fill the house with the appearance of having it all, but after everyone goes home, it becoems empty and shell like, very much a metaphor for Gatsby himself. Gatsby appears to have the American Dream, but at what cost?

Fitxgerald begins to develop and further the complexity of the American Dream.

 

Character Development Jordan’s true self is revealed in this chapter. Previously, she was thought to be sweet and innocent, as any friend of Daisy’s would be. It’s easy to discern there are differences, but Fitzgerald lays it out for those who would be oblivious.

 

“Jordan Baker instinctively avoided clever, shrewd men, and now I saw that this was because she felt safer on a plane where any divergence from a code would be thought impossible. She was incurably dishonest. She wasn’t able to endure being at a disadvantage and, given this unwillingness, I suppose she had begun dealing in subterfuges when she was very young in order to keep that cool, insolent smile turned to the world and yet satisfy the demands of her hard, jaunty body.”  (63)

 

Jordan is really nothing more than a clever and deceptive woman, used to getting her way, but only with men who can’t see through her façade. She becomes a more solid and realatable characte for people, because she actually isn’t that perfeect sweet woman. Fitzgerald’s goal was to write the Great American Novel, and by creating characters that are complex and relatable, such as Jordan, pushes his work in that direction.

Color Blue is a color that is used to describe details in this chapter. “In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.” (43) “…uniform of robin’s egg blue” (45) Blue is a color that can have different stigmas attached to it, but the dominant one is one of sadness. A person can ‘feel’ blue, for example. All of the blue details that are described are applicable to Gatsby, which leads the reader to believe  blue mood is applicable to Gatsby.

 

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May 25 2009

The Great Gatsby Journal 2

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The American Dream Fitzgerald discusses a different type of the American Dream in this chapter. He focuses on the destruction of what one conceives to be the American Dream.

 

“I married him because I thought he was a gentleman,” she said finally. “I thought he knew something about breeding, but he wasn’t fit to lick my shoe.” (pg. 39)

 

Myrtle, Tom’s mistress, married for a dream. She wanted a loving husband, the fairy tale romance. But she realized that it didn’t turn out that way. It’s debatable if she grew tired of the situation and wanted more, or if she walked into her marriage without really knowing him.

 

Fitzgerald’s re – accruing theme in this novel is how one’s perception of the American dream can change. Myrtle wasn’t happy with her lot on life, but she now enjoys the privileges of being a mistress – the fine clothes, apartment, etc., as well as the thrill of excitement that comes with sneaking around. But neither Tom nor Myrtle are very good at keeping their relationship a secret.

 

Character Development We learn a lot about Tom in this chapter. While he doesn’t like Daisy, or so claims, he sets up an elaborate lie (pg. 38) so as not to have to commit to Myrtle. Tom appears to be happy with his lifestyle – he has a beautiful home with a wife and the picture perfect surface image. But he also has a mistress and a not-so-secret other life in New York. Tom is a conflicted man who can’t make up his mind as to which life he wants, so he continues on the middle ground, not fully committing to wither side.
Color The first paragraph on page 27 uses grey as its main description. Ashes, which are grey, smoke, etc. Gray is a gloomy, sad, and depressing color that. Because it describes the area where Tom picks up his mistress, it describes the feelings that come from knowing Tom has a mistress.

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